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With flailing limbs, hollow voids, and tumurous growths, his gripping, often grotesque, portraits are as much reflections on the trials and the traumas of the human condition as they are character studies. \nФрэнсис Бэкон \nНеадаптированный текст.\nБудучи по большей части художником-самоучкой, Фрэнсис Бэкон (1909–1992) обладал уникальной способностью преобразовывать внутренние, подсознательные импульсы в фигуративные формы и композиции, полные интенсивного клаустрофобического напряжения.\nПолучив широкую известность в послевоенный период, Бэкон избрал главным предметом своего искусства человеческое тело — но тело истерзанное, искаженное, расчлененное, словно корчащееся в муках от переполняющих его эмоций. 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