{"id":262350,"guid_nom":"22e60a32-04c8-11f0-80d9-0050569a365d","isbn":"978-3-83-658092-2","nomcode":"ITD000000001443384","title":"Jean-Michel Basquiat. 40th Ed (Eleanor  Nairne)  Жан-Мишель Баския (Элеанор Найрне) /Книги на английском языке","publisher":"Taschen","is_deleted":false,"first_seen_at":"2026-10-13T06:56:41.949256Z","updated_at":"2026-10-13T06:56:41.949256Z","annotation":"","sales_text":"Jean-Michel Basquiat. 40th Ed (Eleanor  Nairne)\n\nThe legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.\n\nBasquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life―so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time.\n\nЖан-Мишель Баския (Элеанор Найрне) \nОригинальный текст, без адаптации.\n\nЛегенда о Жане-Мишеле Баския сильна как никогда. Синоним Нью-Йорка 1980-х годов, художник впервые появился в конце 1970-х годов под тегом SAMO, распыляя едкие комментарии и фрагментарные стихи на стенах города. Он появился как часть процветающей андеграундной сцены изобразительного искусства и граффити, хип-хопа, пост-панка и DIY-кинематографии, которые встретились в бурно развивающемся мире искусства. Как художник с сильным личным голосом, Баския вскоре ворвался в устоявшуюся среду, выставляясь в галереях по всему миру.\n\nВыразительный стиль Баския был основан на сырых фигурах и интегрированных словах и фразах. Его работы вдохновлены пантеоном светил джаза, бокса и баскетбола, с отсылками к тайной истории и политике уличной жизни, поэтому, когда его спросили о предмете его творчества, Баския ответил: \"королевская власть, героизм и улицы\". В 1983 году он начал сотрудничать с самой известной звездой искусства, Энди Уорхолом, а в 1985 году оказался на обложке The New York Times Magazine. 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Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.\n\nBasquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life―so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. 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